狂欢化视角下的《我弥留之际》

2009/9/8 23:50:51 人评论 次浏览 分类：外国文学：福克纳研究

 

作者： 董丽娟

英文标题：An Interpretation of Faulkner’s As I Lay Dying in the Perspective of Bakthin’s Carnivalesque Theory

中文副标题：

英文副标题：

中文关键词：巴赫金; 狂欢化; 福克纳;《我弥留之际》; 复调；两重性；交替

英文关键词：Bakthin; carnivalesque; Faulkner; As I Lay Dying; duality; polyphony; alteration

基金名称：“南开大学2007年度人文社会科学校内文科青年项目”资助完成，项目编号：NKQ07001
基金类别：院校级（含院、系、所）

中文摘要：
    巴赫金的狂欢化理论主要关注文学中丑的、滑稽的、边缘的并让它们占领文学批评舞台的中央。它强调对话、更替和相互转换，这对于解剖单一文本提供了独特的视角。从狂欢化视角对《我弥留之际》做新的解读，分析其叙事、结构和体裁上呈现出的狂欢化特征，可以将《我弥留之际》的狂欢化特征归纳为复调、两重性和死生交替。

英文摘要：
    Bakthins carnivalesque theory focuses on the ugly, the funny and the marginalized in literary works and brings them into the limelight of literary criticism. It emphasizes dialogue, replacement and change, which provides a distinctive perspective for textual analysis. To make a new interpretation of As I Lay Dying by Faulkner, and reveal the carvelesque features of the novel in terms of narration, structure and genre, in the perspective of Bakthins carnivalesque theory， the carvelesque features of the novel can be generalized in three aspectsduality, polyphony and alteration.